Tuesday, 5 December 2017

Queer Expo 2017

July the 15th and 16th, saw the premiere of Queer Expo; an LGBT+ convention, which myself and Mx Loki attended as media for Afflatus Magazine.
Mx Loki will be writing out a full feature for our next issue, but for those who wish to know what the event was like, but can’t wait until February; continue reading.

Overall, this event was small. This is to be expected of a first-run event; you need to build a reputation in order to gain brand loyalty, but this smallness could be mistaken as lack of interest.
I believe there were three main reasons as to the small turn out; lack of advertising, confusion as to what the event was, and high ticket prices. 

Many people commented on the lack of advertising and promotion of the event, several people mentioned to us that they had asked if their queer friends were attending, only to learn those friends had no idea there was a con. Beyond facebook, there didn’t seem to be much reach out.
The event itself also did not seem to know what it was leading up to it. Beginning as a Drag convention, it changed to a queer expo, then added pop culture to it. This adding of pop culture was not relevant, as everyone there was there for drag and sexuality/gender, most of the pop culture stalls were un-visited.
Finally the ticket prices. I am torn over the costs of the tickets, because if you attended and saw many of the drag performances and panels, it was worth your money. But I understand that $80 for the weekend at the con’s first running would have turned people away, as that is a lot of money.

So the turnout was small, but that also worked in people’s advantages as it really allowed them to be able to talk and interact with the special guests. We got to speak to most of the American Queens; Shangela has an amazing warmth to her interactions and a killer memory, Latrice Royale is so genuine and can see that in people as well, and The Boulet Brothers are stunning. It also meant we were able to speak to attendees more freely; people felt more comfortable in the open space as opposed to being crushed in the crowds of the big cons. And this freedom in space also gave itself to attendees showing off their big, elaborate, and gorgeous outfits.

We also attended many panels and performances (something we don’t usually get to do at bigger cons). I really loved the performances, it let me see a lot more of Australian drag talent than I would usually be able to see, as well as the international queens whom might come down once every couple years and I’ll miss them. Aysha Buffet feels her performances so deeply you can see it in her body, whilst I love BeBe Gunn’s presence and facial expression, and the Space Queens show by Art Simone and Philmah Bocks appealed greatly to the Star Wars geek in me .
The panels we attended were entertaining or informative, and made you contemplate the roles and representation of LGBT+ culture. I also have to applaud those who went up on stage; it’s hard to be in front of a large crowd, but it’s harder in front of a small crowd, and everyone was professional and still gave their all.

One thing that was frustrating was the two stages were inside. This meant often the music/mics would be turned up and began to drown out conversations in the traders’ area. It became difficult to talk to people outside the stage areas, and was overwhelming inside.

Overall, I did enjoy Queer Expo. It is a first time con that definitely needs its kinks smoothed out, but it has so much potential behind it. It was small, but so was RuPaul’s drag con its first year, and this smallness help build connections and networks between people. It also showcased such amazing drag performers, and gave voice to LGBT+ issues. I hope to see it refine its goals and organization, so that it grows into massive convention it can be.

Now, onto some of the photos I took during the convention. If you see yourself here please let me know who/where to credit.
Also, performers if you see yourself here I may have more photos of you, please email me at slipperyphotography@gmail.com and I will send you a link to the rest of your photos. I am also still working on photos from the competition. If you were in it and would like some photos, let me know so I can send them through to you.

Don’t forget to like these photos on Slippery Photography on Facebook



M.A.D Fashion Showcase 2017

The 25th of March saw the second M.A.D (Melbourne Alternative Designers) Fashion Showcase and once again I was invited along as media. Born from Lyris Deign and Clockwork Butterfly, this event aims to display the alternative community to the alternative community, promoting Australian designers and artists.

Last year’s show was an immense success, with only a few issues, for example too loud music during intermission. This year’s show clearly took all feedback on board and made improvements; the music was a lot quieter and made communicating with stall holders easier. This year they introduced a ‘No Flash Photography’ rule, which I found to be a good step in improvement. From my perspective it meant I did not have to worry about batteries and flash syncing, for the models it meant not being blinded on the catwalk, and for the audience it meant not having flashes interrupting their experience.

Once again, the show was well organized and run. With doors opening as scheduled, and the shows and intermissions running on time. The market was set up which allowed ease to walk down the aisles and chat with stall holders. This year hosted many more stalls, and I hope they do not overbook in the future as it will make moving hard. Intermission also featured low-light which made looking at wares difficult, but the lights were turned higher after the show.

Monday, 14 August 2017

Submissions Open - Issue 2



Wanted: Artist Submissions
Theme: Gender and Sexuality
Medium: Any
Submissions Close: 31-December-2017
Release Date: February 2018

We are excited to announce the second issue of Afflatus. Aimed to promote and showcase Australian artists, Afflatus is currently after applications for people who would like to be featured.

With a wide array of features, from biographies to interviews to critical analyses, Afflatus not only showcases the artwork, but the artists as well.
We are not just after traditional artists, but all kinds such as clothing designers, models, singers, digital designers, photographers, silver smiths, etc.

This issue’s theme is: Gender and Sexuality. If your work, or a series, works with either gender or sexuality, or inspired by it, then fill out the form (linked below) and apply.
You can find Afflatus’ previous issue HERE (or on the Facebook page)

You can find submission guides HERE
And send it to afflatusmagazineau@gmail.com

Applicants will be notified if they will be included by the 05-January-2018

Thursday, 16 March 2017

Issue 1: Ballgags, Bruises, and Bondage

The first issue of Afflatus Magazine: Ballgags, Bruises, and Bondage is now live!
You can grab a digital or print copy HERE

The afflatus team wants to thank all those involved in the production, and the artists featured.
Tear Sheets will go out over the weekend.
 Cover credits:

Model: Tahlia
Photographer: Slippery Photography
MUA: Eloquent Mx Loki
Latex Hood: Eagle Leather